First Year Seminar (FS 117A)
Spring Semester 2011
Joan of Arc
George Dameron
Library 306 x2318
Office Hours:
Mondays, 9-11; Wednesdays, 2:30-3:30
and by appointment (x2318)

Source: http://scrapetv.com/News/News%20Pages/usa/images-4/joan-of-arc.jpg
Purpose and Goals:
- Enhance
critical writing, writing, and speaking skills
- Seek to
recover, through original (primary) sources, the historical Joan
- Introduce
students to excellence in historical writing
- Explore
modern interpretations of Joan of Arc by historians, writers, and
film-makers
- Introduce
student to principal issues associated with the study of pre-modern Europe,
particularly heresy, gender, witchcraft, and the politics of national
monarchies in the fifteenth century
- Fulfill
First Year Seminar requirement of LSP
- Fulfill
first writing proficiency requirement of general education requirements
- Introduce
student to the process of historical research and writing, focusing on
library resources
Requirements:
- Writing each
week: 40% (12 short focus papers, due on Fridays)
- Formal
papers: 30% (3 formal papers, second of which
requires revision
and a conference)
- Class
participation: 30% (attendance, participation)
How this Course Works
- There will
be no lectures. Our seminar will consist entirely of discussion.
- Reading
assignments and student writing and research will serve as the topics of our
seminar discussions.
- Focus papers
due once a week (1 page apiece) on readings or films, due on Fridays. They
will generally be responses to study questions posted at eCollege.
Occasionally focus papers may be shared with other students for reflection
and feedback. All focus papers are due at the beginning of class.
- On
Fridays that formal papers are due, there will be no Friday focus
papers.
- Discussion
each seminar meeting
- Study
questions associated with the readings (posted at eCollege) will help
guide the discussion
- Most
seminar meetings a student will also generate a question to help
generate and lead discussion
- Three formal
papers (all due on Fridays)
- The
first formal paper will analyze primary historical sources associated
with Joan’s letters (3 pages) and will focus on a question chosen
from a list of study questions
- The
second formal paper will focus on another set of primary sources:
the trial record (5 pages, also focusing on a question chosen from a
list of study questions).
- I
will have a conference with each student, suggest revisions, and
students will re-submit a revised draft.
-
There will be no class meetings on the days of the conferences.
- The
third paper is the formal research paper (7-9 pages), focused around a
topic the student will choose (from a list of possible topics provided
by the instructor).
-
Students will use at least two primary and three secondary sources
for the research paper
- At
the end of the semester, students will briefly present to the
seminar the principal conclusions of their third formal paper.
- All
three formal papers will be properly cited and include a bibliography.
- I remain
eagerly available to offer my assistance on any assigned paper. There
is one formal and required conference, but I am available to meet with
students for conferences on other assigned papers. The best time to
meet with me is during my regular office hours.
- A library
visit will occur on April 11 (several weeks before the third formal research
paper is due) to introduce students to library resources on Joan of Arc.
- There will
be three (3) films, shown evenings (no regularly scheduled seminar meeting
that AM except for the screening of Shakespeare’s Henry VI, Part 1
and the library visit on April 11)
- There
will be a short discussion following each film
- Students
unable to attend are responsible for seeing films on their own.
A NOTE ABOUT WRITING PROFICIENCY
As you know, all
St. Michael’s students must demonstrate entry-level writing proficiency prior to
graduation. “Entry-level” writing proficiency means, simply, the ability to
write a short, cohesive persuasive essay with a few or no surface errors that
interfere with comprehension. The initial assessment of your writing falls to
me, as your FS instructor, and I will certify you as soon as you demonstrate
proficiency in any of your writing assignments. If I wish to obtain a second
opinion about your writing, in February I will ask you to take a short writing
assessment, which two other faculty will review. If they feel your writing needs
work, I will refer you to the writing proficiency coordinator, who will give you
several options for achieving proficiency. They may include getting a
designated writing coach or taking a writing course in the fall. Of course, if
your writing improves after February, I can still certify you proficient then.
Note: If you would like some additional help with your writing right away,
contact Elizabeth Inness-Brown, director of the Writing Center (einness-brown@smcvt.edu).
She can set you up with a designated coach for one or two meetings a week. The
Writing Center is also available, drop-in or by appointment, to all students;
visit Library 119 to check it out. Usual hours in the past are Sunday through
Thursday late afternoons and evenings.
ACADEMIC
INTEGRITY
The use of laptop
computers is welcome, but students can only use them for class use, specifically
for note-taking. Use of computers during class for purposes other than those
related to the course can result in the loss of the privilege to use them.
The student is
responsible for familiarizing herself or himself with the
Academic Integrity Policy of the College. Violations of academic integrity
(plagiarism, multiple submission, unauthorized assistance, interference,
interference using information technology) can result in sanctions ranging from
failure for the assignment, failure of the course, the obligation to repeat the
assignment with a lower grade, or dismissal from the course. The Judicial
Review Board may impose other sanctions as well. Plagiarism is a serious
academic offense. According to the
Policy on Academic Integrity included in the Student Handbook and
Code of Conduct and posted online, plagiarism is the presentation of
“another person’s ideas as your own, by directly quoting or indirectly
paraphrasing, without properly citing the original source. This includes
inadvertent failure to properly acknowledge sources.”
DOCUMENTED
LEARNING DIFFERENCES
Students with
learning differences (documented by the Office of the Coordinator of Academic
Compliance, Ms. Antonia Messuri) are eligible for appropriate accommodations.
Please see me early in the semester if you require any accommodation.
Books for Purchase:
Diana Hacker,
A Pocket Style Manual, 5th edition (Bedford St. Martin’s 2009)
Daniel Hobbins, The Trial of Joan of Arc (Harvard 2007). ISBN-10:
0674024052
Regine Pernoud,
Joan of Arc: Her Story (1999 Palgrave Macmillan) ISBN 0312227302
George Bernard
Shaw, Saint Joan (GBS Books 2010)
Larissa Taylor,
The Virgin Warrior: The Life and Death of Joan of Arc (Yale 2010)
ISBN-10:
0300168950 ISBN-13: 978-0300168952
In Addition, on eCollege and/or
Library Reserve:
- Selected
readings on eCollege (“doc sharing”) and/or on reserve in library:
·
Christine de Pisan, “The
Tale of Joan of Arc,” in Selected Writings of Christine de Pizan, ed.
Renate Blumenfeld-Kosinski (1997). On reserve.
·
Barbara Rosenwein,
“Catastrophe and Creativity (c. 1350-c.1500),” in A Short History of the
Middle Ages, 305-348.
·
William Shakespeare,
“Henry VI, Part 1” (available as an electronic resource through the library
catalog and on course reserve at the Circulation Desk in William Shakespeare,
The Complete Works (2006).
·
Susan Mosher Stuard,
“The Dominion of Gender, or How Women Fared in the High Middle Ages,” in
Becoming Visible: Women in European History, edited by Renate
Bridenthal et al., 3rd edition (Boston, 1998) (chapter 5),
129-150.
·
André Vauchez, “Joan of
Arc and Female Prophecy in the Fourteenth and Fifteenth Centuries,” The Laity
in the Middle Ages: Religious Beliefs and Devotional Practices, edited and
introduced by Daniel Bornstein (Notre Dame: University of Notre Dame, 1993),
255-264. On eCollege.
Class Schedule (Focus Papers Due in
Class Every Friday Except in Weeks When Formal Papers on Due)
Week One:
Kolbert’s Field Notes from a Catastrophe
- January 17:
discussion: the book (Kolbert) and you
- January 19:
discussion: the Kolbert Reports
- January 21:
discussion: summing up: climate change (past and present)
Week Two: The
World Into Which Joan Was Born
- January 24:
Taylor, preface and prologue; Pernoud, Prelude (by Jeremy duQuesnay Adams);
Rosenwein (at eCollege)
- January 26:
Stuard (entire)
- January 28:
Taylor, chapter 1; Pernoud, chapter 1 (Part 1)
Week Three:
The Mission and the Siege of Orleans
- January 31:
Taylor, chapter 2
- February 2:
Taylor, chapter 3; Pernoud, chapter 2; Pernoud, Part II (numbers 1-3)
- February 4:
Taylor, chapter 4; Pernoud, chapter 3
Week Four:
Coronation and Intrigue
- February 7:
Taylor, chapter 5
- February 9:
Taylor, chapter 6; Pernoud, chapter 4
- February
11: Joan’s letters (Pernoud, Appendix 1); First formal paper due
(letters of Joan)
Week Five:
Joan as Prisoner and Defendant
- February
14: Taylor, chapter 7; Pernoud, chapter 5
- February
16: Taylor, chapter 8; Pernoud, chapter 6
- February
18: Taylor, chapter 9; Pernoud, chapter 7; Pernoud, Part II (numbers
45-69); Pernoud, Part III (numbers 1-12)
Week Six: The
Preparatory Trial
- February 21
(no class: February break)
- February
23: Hobbins, Introduction; Taylor, Appendix B
- February
25: Hobbins, 33-117
Week Seven:
The Ordinary Trial
- February
28: Hobbins, 118-148
- March 2:
Hobbins, 148-178
- March 4:
Hobbins, 178-195
Week Eight:
The Trial for Relapse, Aftermath, the “Poitiers Conclusions”
- March 7:
Hobbins, 196-203
- March 9:
Hobbins, 204-13
- March 11:
Hobbins, 217-8; Pernoud, Part III (number 13); Second formal paper due
(the trial record)
Week Nine (no
class/spring recess)
Week Ten:
Vindication and Her Legacy
- March 21:
Taylor, chapter 10, Epilogue; Pernoud, chapters 8 and 9
- March 23:
Conferences on second formal paper
- March 25:
Conferences on second formal paper
Week Eleven:
Images and Portraits of Joan after her Death
- March 28:
Christine de Pizan, “The Tale of Joan of Arc”
- March 29
(Tuesday): First film: Victor Fleming, “Joan of Arc” (1948), JEM 390; make
up for April 1
- March 30
(Wednesday): Shakespeare, “King Henry VI—Part I,” Act 1 (e-book, electronic
resource, available through library catalog and also on reserve at
Circulation Desk)
- April 1: no
class; second formal paper (revised) due (in box at Library 306)
Week Twelve: Joan in Renaissance
Drama
- April 4:
Shakespeare, “King Henry VI—Part I,” Acts 2, 3
- April 6:
Shakespeare, “King Henry VI—Part I,” Act 4
- April 8:
Shakespeare, “King Henry VI—Part I,” Act 5
- Excerpts
of BBC production in class
Week
Thirteen: Joan in Twentieth Century Film and Drama
- April 11:
Second film: Luc Besson, “The Messenger” (1999)
- Library
visit will take place during class period
- April 13:
Shaw, preface (7-29)
- April 15:
Shaw, preface (29-47)
Week
Fourteen: Joan in Twentieth Century Film and Drama
- April 18:
Shaw, 49-100
- April 20:
Shaw, 101-159 (focus paper due)
- April 22 (no
class: Easter recess)
Week Fifteen:
Joan in Twentieth Century Film and Historiography
- April 25 (no
class: Easter recess)
- April 27:
Vauchez, “Joan of Arc and Female Prophecy” (discussion)
- Evening
(third film): Carl Dreyer, “The Passion of Joan of Arc” (1928)
- April 29:
Student research day (no classes)
- Focus
paper due on film and essay at office (Library 306)
Week Sixteen:
Summing Up
- May 2:
Seminar presentations on research topics
- May 4:
Seminar presentations on research topics
- May 6:
Seminar presentations and Conclusion
- Third
formal (research) paper due