First Year Seminar (FS 117A)
Spring Semester 2011
Joan of Arc
George Dameron
Library 306 x2318
Office Hours:
Mondays, 9-11; Wednesdays, 2:30-3:30 and by appointment (x2318)

Source:
http://scrapetv.com/News/News%20Pages/usa/images-4/joan-of-arc.jpg
Purpose and Goals:
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Enhance critical writing, writing, and speaking skills
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Seek to recover, through original (primary) sources, the historical Joan
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Introduce students to excellence in historical writing
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Explore modern interpretations of Joan of Arc by historians, writers, and
film-makers
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Introduce student to principal issues associated with the study of
pre-modern Europe, particularly heresy,
gender, witchcraft, and the politics of national monarchies in the fifteenth
century
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Fulfill First Year Seminar requirement of LSP
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Fulfill first writing proficiency requirement of general education
requirements
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Introduce student to the process of historical research and writing,
focusing on library resources
Requirements:
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Writing each week: 40% (12
short focus papers, due on Fridays)
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Formal papers:
30% (3 formal papers,
second of which
requires revision and a
conference)
-
Class participation:
30% (attendance,
participation)
How
this Course Works
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There will be no lectures. Our
seminar will consist entirely of discussion.
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Reading assignments and student writing and research will serve as the
topics of our seminar discussions.
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Focus papers due once a week (1 page apiece) on readings or films, due on
Fridays. They will generally be
responses to study questions posted at eCollege.
Occasionally focus papers may be shared with other students for
reflection and feedback. All focus
papers are due at the beginning of class.
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On Fridays that formal papers are due, there will be no Friday focus
papers.
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Discussion each seminar meeting
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Study questions associated with the readings (posted at eCollege) will
help guide the discussion
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Most seminar meetings a student will also generate a question to help
generate and lead discussion
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Three formal papers (all due on Fridays)
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The first formal paper will analyze primary historical sources
associated with Joan’s letters
(3 pages) and will focus on a question chosen from a list of study
questions
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The second formal paper will focus on another set of primary sources:
the trial record (5
pages, also focusing on a question chosen from a list of study
questions).
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I will have a conference with each student, suggest revisions, and
students will re-submit a revised draft.
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There will be no class meetings on the days of the conferences.
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The third paper is the formal research paper (7-9 pages), focused around
a topic the student will choose (from a list of possible topics provided
by the instructor).
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Students will use at least two primary and three secondary sources
for the research paper
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At the end of the semester, students will briefly present to the
seminar the principal conclusions of their third formal paper.
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All three formal papers will be properly cited and include a
bibliography.
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I remain eagerly available to offer my assistance on any assigned paper.
There is one formal and required conference, but I am available
to meet with students for conferences on other assigned papers.
The best time to meet with me is during my regular office hours.
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A library visit will occur on April 11 (several weeks before the third
formal research paper is due) to introduce students to library resources on
Joan of Arc.
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There will be three (3) films, shown evenings (no regularly scheduled
seminar meeting that AM except for the screening of Shakespeare’s
Henry VI, Part 1 and the library
visit on April 11)
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There will be a short discussion following each film
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Students unable to attend are responsible for seeing films on their own.
A
NOTE ABOUT WRITING PROFICIENCY
As
you know, all St. Michael’s students must demonstrate entry-level writing
proficiency prior to graduation. “Entry-level” writing proficiency means,
simply, the ability to write a short, cohesive persuasive essay with a few or no
surface errors that interfere with comprehension. The initial assessment of your
writing falls to me, as your FS instructor, and I will certify you as soon as
you demonstrate proficiency in any of your writing assignments. If I wish to
obtain a second opinion about your writing, in February I will ask you to take a
short writing assessment, which two other faculty will review. If they feel your
writing needs work, I will refer you to the writing proficiency coordinator, who
will give you several options for achieving proficiency.
They may include getting a designated writing coach or taking a writing
course in the fall. Of course, if your writing improves after February, I can
still certify you proficient then. Note: If you would like some additional help
with your writing right away, contact Elizabeth Inness-Brown, director of the
Writing
Center
(einness-brown@smcvt.edu). She can set you up with a designated coach for one or
two meetings a week. The Writing
Center is also available,
drop-in or by appointment, to all students; visit Library 119 to check it out.
Usual hours in the past are Sunday through Thursday late afternoons and
evenings.
ACADEMIC INTEGRITY
The
use of laptop computers is welcome, but students can only use them for class
use, specifically for note-taking.
Use of computers during class for purposes other than those related to the
course can result in the loss of the privilege to use them.
The
student is responsible for familiarizing herself or himself with the
Academic
Integrity Policy of the College.
Violations of academic integrity (plagiarism, multiple submission,
unauthorized assistance, interference, interference using information
technology) can result in sanctions ranging from failure for the assignment,
failure of the course, the obligation to repeat the assignment with a lower
grade, or dismissal from the course.
The Judicial Review Board may impose other sanctions as well.
Plagiarism is a serious academic offense.
According to the
Policy on
Academic Integrity included in the Student Handbook and Code of
Conduct and posted online, plagiarism is the presentation
of “another person’s ideas as your
own, by directly quoting or indirectly paraphrasing, without properly citing the
original source. This includes inadvertent failure to properly acknowledge
sources.”
DOCUMENTED LEARNING DIFFERENCES
Students with learning differences (documented by the Office of the Coordinator
of Academic Compliance, Ms. Antonia Messuri) are eligible for appropriate
accommodations. Please see me early in the semester if you require any
accommodation.
Books for Purchase:
Diana Hacker, A Pocket Style Manual,
5th edition (Bedford St. Martin’s 2009)
Daniel Hobbins, The Trial of Joan of Arc
(Harvard 2007).
ISBN-10: 0674024052
Regine Pernoud, Joan of Arc:
Her Story (1999 Palgrave Macmillan) ISBN 0312227302
George Bernard Shaw, Saint Joan (GBS
Books 2010)
Larissa Taylor, The Virgin Warrior:
The Life and Death of Joan of Arc (Yale 2010)
ISBN-10:
0300168950 ISBN-13: 978-0300168952
In
Addition, on eCollege and/or Library Reserve:
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Selected readings on eCollege (“doc sharing”) and/or on reserve in library:
·
Christine de Pisan, “The Tale of Joan of Arc,” in
Selected Writings of Christine de Pizan,
ed. Renate Blumenfeld-Kosinski (1997).
On reserve.
·
Barbara Rosenwein, “Catastrophe and Creativity (c. 1350-c.1500),” in
A Short History of the Middle Ages,
305-348.
·
William Shakespeare, “Henry VI, Part 1” (available as an electronic resource
through the library catalog and on course reserve at the Circulation Desk in
William Shakespeare, The Complete Works
(2006).
·
Susan Mosher Stuard, “The Dominion of Gender, or How Women Fared in the High
Middle Ages,” in Becoming Visible:
Women in European History, edited by Renate Bridenthal et al., 3rd
edition (Boston, 1998)
(chapter 5), 129-150.
·
André Vauchez, “Joan of Arc and Female Prophecy in the Fourteenth and Fifteenth
Centuries,” The Laity in the Middle Ages:
Religious Beliefs and Devotional Practices, edited and introduced by
Daniel Bornstein (Notre Dame:
University of Notre Dame, 1993), 255-264.
On eCollege.
Class Schedule (Focus Papers Due in Class Every Friday Except in Weeks When
Formal Papers on Due)
Week One: Kolbert’s
Field Notes from a Catastrophe
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January 17: discussion:
the book (Kolbert) and you
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January 19: discussion:
the Kolbert Reports
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January 21: discussion:
summing up: climate change
(past and present)
Week Two: The World Into Which Joan
Was Born
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January 24:
Taylor, preface and prologue; Pernoud, Prelude (by Jeremy
duQuesnay Adams); Rosenwein (at eCollege)
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January 26: Stuard (entire)
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January 28: Taylor, chapter 1; Pernoud, chapter 1 (Part 1)
Week Three: The
Mission
and the Siege of Orleans
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January 31: Taylor, chapter 2
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February 2: Taylor, chapter 3; Pernoud, chapter 2; Pernoud, Part II (numbers
1-3)
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February 4: Taylor, chapter 4; Pernoud, chapter 3
Week Four: Coronation and Intrigue
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February 7: Taylor, chapter 5
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February 9: Taylor, chapter 6;
Pernoud, chapter 4
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February 11: Joan’s letters
(Pernoud, Appendix 1); First formal
paper due (letters of Joan)
Week Five: Joan as Prisoner and
Defendant
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February 14: Taylor, chapter 7;
Pernoud, chapter 5
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February 16: Taylor, chapter 8;
Pernoud, chapter 6
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February 18: Taylor, chapter 9;
Pernoud, chapter 7; Pernoud, Part II (numbers 45-69); Pernoud, Part III
(numbers 1-12)
Week Six: The Preparatory Trial
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February 21 (no class: February
break)
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February 23: Hobbins, Introduction;
Taylor, Appendix B
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February 25: Hobbins, 33-117
Week Seven: The Ordinary Trial
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February 28: Hobbins, 118-148
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March 2: Hobbins, 148-178
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March 4: Hobbins, 178-195
Week Eight: The Trial for Relapse,
Aftermath, the “Poitiers
Conclusions”
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March 7: Hobbins, 196-203
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March 9: Hobbins, 204-13
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March 11: Hobbins, 217-8; Pernoud,
Part III (number 13); Second formal
paper due (the trial record)
Week Nine (no class/spring recess)
Week Ten: Vindication and Her
Legacy
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March 21: Taylor, chapter 10,
Epilogue; Pernoud, chapters 8 and 9
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March 23: Conferences on second
formal paper
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March 25: Conferences on second
formal paper
Week Eleven: Images and Portraits
of Joan after her Death
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March 28: Christine de Pizan, “The
Tale of Joan of Arc”
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March 29 (Tuesday): First film:
Victor Fleming, “Joan of Arc” (1948), JEM 390; make up for April 1
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March 30 (Wednesday): Shakespeare,
“King Henry VI—Part I,” Act 1 (e-book, electronic resource, available
through library catalog and also on reserve at Circulation Desk)
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April 1: no class;
second formal paper (revised) due
(in box at Library 306)
Week Twelve: Joan in Renaissance
Drama
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April 4: Shakespeare, “King Henry
VI—Part I,” Acts 2, 3
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April 6: Shakespeare, “King Henry
VI—Part I,” Act 4
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April 8: Shakespeare, “King Henry
VI—Part I,” Act 5
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Excerpts of BBC production in class
Week Thirteen: Joan in Twentieth
Century Film and Drama
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April 11: Second film:
Luc Besson, “The Messenger” (1999)
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Library visit will take place during class period
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April 13: Shaw, preface (7-29)
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April 15: Shaw, preface (29-47)
Week Fourteen: Joan in
Twentieth Century Film and Drama
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April 18: Shaw, 49-100
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April 20: Shaw, 101-159 (focus paper
due)
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April 22 (no class: Easter recess)
Week Fifteen: Joan in Twentieth
Century Film and Historiography
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April 25 (no class: Easter recess)
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April 27: Vauchez, “Joan of Arc and
Female Prophecy” (discussion)
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Evening (third film): Carl
Dreyer, “The Passion of Joan of Arc” (1928)
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April 29: Student research day (no
classes)
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Focus paper due on film and essay at office (Library 306)
Week Sixteen: Summing Up
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May 2: Seminar presentations on
research topics
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May 4: Seminar presentations on
research topics
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May 6: Seminar presentations and
Conclusion
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Third formal (research) paper due