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Into Ancestorhood: Death as Continuity in Traditional West African Art |
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W E S T A F R I C A N A R T |
Into Ancestor-Hood Home
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Masks: Masks play a central role in funeral activities, as they do in all public rituals. Generally when a mask is used in a performance it is thought to represent an actual physical visit from the spirit world. These spirits are usually either ancestors (from the family or clan), figures (mythical or traditional) held in regard by a larger group, nature spirits, or spirits of possession. Without the context of the ritual, the masks are sometimes considered powerless[5] or it is thought that their powers are dangerously undirected. In this case the masks are specially stored when not in use at a ritual. |
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This helmet crest from the very prestigious Komo
society of the Bamana peoples (Mali) exemplifies those worn by members at
all important events in life; birth, circumcision, initiation, marriage,
and, of interest to us, funerals. They refer to the
symbolism of animals by their design and
the feathers, bristles, and bones sometimes affixed to them. [5] |
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This face mask is from the Winiama peoples of Burkina. It is
used by males initiated into the highest levels of the mask society. It is worn in numerous ritual
occasions, including funerals and annual ceremonies to commemorate and honor
the cumulative dead [5]. Perhaps we see here again in the two human forms a
reference to the primordial couple
Here we see such a mask in action at a funeral as a dancer surrounded by onlookers performs (click to enlarge): |
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This mask made and employed by the Mmwo people of South-Eastern Nigeria, was
used in funerals. It was believed that the
dead in some way spoke through the medium of a special society member
wearing this mask in the ritual setting. I am unclear as to whether
this sort of mask is still in use,though they continue to be prized
possesions in African Art exhibitions around the world. [11] |
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